Orson Welles :: essays research papers

Orson rise up& adenosine monophosphate9Orson Welles was an actor, producer, director, writer, and columnist who revolutionized the film industry by order movies that depicted men and woman as real mankind beings. passim his writing career, Welles characters reflected his own personality and inspired others to write about human struggles, both good and bad. An innovative, dynamic individual, Welles spent his entire life experimenting with different mediums and bringing to the world his vision of mans never forget struggle to conquer his own inner demons. Welles was a man whose life was one of paradox. His films reflected his inner conflicts and his attempt to assuage the two extremes of his own existence.&9"For thirty years people have been asking me how I reconcile X with Y &9&9The straight answer is that I dont. Everything about me is a &9&9&9contradiction and so is everything about everybody else. We are make &9&9out of oppositions we live betwee n two poles. There is a philistine and &9&9an aesthete in all of us, and a murderer and a saint. You dont reconcile &9the poles. You just recognize them." To Kennety Tynan, 1967&9Orson Welles is a good deal referred to as a &quotRenaissance man&quot, an individual whos ambitious and concerned with revolutionizing multiple aspects of life. He was a prolific writer and talented actor who often appeared in his own productions. A gifted artist, Welles, coupled his abundant energy with an enthusiasm for life. He tried everything and was not shitless to take risks and to suffer the consequences of failures as well as the acclaims of success.&9While, some critics say that Welles could never top &quotCitizen Kane&quot, much(prenominal) movies as &quotThe Trial&quot, &quotTouch of Evil&quot, and &quotThe Lady from Shanghai&quot are considered classics and monumental feats in cinema production. However, movies like &quotThe Stranger&qu ot, &quotChimes at Midnights&quot, and &quotMr. Arkadin&quot were criticized as being &quotOne-Man roofy&quot shows where Welles glorified and engrandized himself.&9Welles films reflect his ambivalent vision of life. He organized the Mercury Theater as the result of a feud with the Federal Theater Project after its attempt to sensor his work. Welles refused to bow to their demands to make his pro-labor play, The Cradle Will Rock, less political. Throughout the rest of his life, he preferred ostracism to compromise and often endured ridicule and condemnation rather than give in to the demands of those in authority.&9Welles utilizes very distinctive images that are extravagant and dynamic to convey his unique prospective.